A young man of about sixteen, Romeo is handsome, intelligent, and sensitive. Though impulsive and immature, his idealism and passion make him an extremely likable character.
All revenge tragedies originally stemmed from the Greeks, who wrote and performed the first plays. After the Greeks came Seneca who was very influential to all Elizabethan tragedy writers. Seneca who was Roman, basically set all of the ideas and the norms for all revenge play writers in the Renaissance era including William Shakespeare.
These two plays used mostly all of the Elizabethan conventions for revenge tragedies in their plays. Hamlet especially incorporated all revenge conventions in one way or another, which truly made Hamlet a typical Julius caesar speeches essay play. There were certain stylistic and different strategically thought out devices that Elizabethan playwrights including Shakespeare learned and used from Seneca's great tragedies.
The five act structure, the appearance of some kind of ghost, the one line exchanges known as stichomythia, and Seneca's use of long rhetorical speeches were all later used in tragedies by Elizabethan playwrights. Some of Seneca's ideas were originally taken from the Greeks when the Romans conquered Greece, and with it they took home many Greek theatrical ideas.
Some of Seneca's stories that originated from the Greeks like Agamemnon and Thyestes which dealt with bloody family histories and revenge captivated the Elizabethans.
Seneca's stories weren't really written for performance purposes, so if English playwrights liked his ideas, they had to figure out a way to make the story theatrically workable, relevant and exciting to the Elizabethan audience who were very demanding.
Seneca's influence formed part of a developing tradition of tragedies whose plots hinge on political power, forbidden sexuality, family honor and private revenge. Hamlet without Seneca is inconceivable. In all revenge tragedies first and foremost, a crime is committed and for various reasons laws and justice cannot punish the crime so the individual who is the main character, goes through with the revenge in spite of everything.
The main character then usually had a period of doubtwhere he tries to decide whether or not to go through with the revenge, which usually involves tough and complex planning. Other features that were typical were the appearance of a ghost, to get the revenger to go through with the deed.
The revenger also usually had a very close relationship with the audience through soliloquies and asides. The original crime that will eventually be avenged is nearly always sexual or violent or both.
The crime has been committed against a family member of the revenger. After the ghost persuades the revenger to commit his deed, a hesitation first occurs and then a delay by the avenger before killing the murderer, and his actual or acted out madness. The revenge must be taken out by the revenger or his trusted accomplices.
The revenger and his accomplices may also die at the moment of success or even during the course of revenge. It should not be assumed that revenge plays parallel the moral expectations of the Elizabethan audience.
Church, State and the regular morals of people in that age did not accept revenge, instead they thought that revenge would simply not under any circumstances be tolerated no matter what the original deed was.
People should therefore never think that revenge was expected by Elizabethan society. Although they loved to see it in plays, it was considered sinful and it was utterly condemned.
The Spanish Tragedy written by Thomas Kyd was an excellent example of a revenge tragedy. With this play, Elizabethan theater received its first great revenge tragedy, and because of the success of this play, the dramatic form had to be imitated. The play was performed from to and it gave people an everlasting remembrance of the story of a father who avenges the murder of his son.
In this story, a man named Andrea is killed by Balthazar in the heat of battle. The death was considered by Elizabethan people as a fair one, therefore a problem occurred when Andrea's ghost appeared to seek vengeance on its killer. Kyd seemed to have used this to parallel a ghost named Achilles in Seneca's play Troades.
Andrea's ghost comes and tells his father, Hieronimo that he must seek revenge. Hieronimo does not know who killed his son but he goes to find out. During his investigation, he receives a letter saying that Lorenzo killed his son, but he doubts this so he runs to the king for justice.
Hieronimo importantly secures his legal rights before taking justice into his own hands. The madness scene comes into effect when Hieronimo's wife, Usable goes mad, and Hieronimo is so stunned that his mind becomes once again unsettled.
Finally Hieronimo decides to go through with the revenge, so he seeks out to murder Balthazar and Lorenzo, which he successfully does. Hieronimo becomes a blood thirsty maniac and when the king calls for his arrest, he commits suicide.
As well as the fact that Elizabethan theater had its rules about how a revenge tragedy had to be, so did Thomas Kyd. He came up with the Kydian Formula to distinguish revenge tragedies from other plays.
His first point was that the fundamental motive was revenge, and the revenge is aided by an accomplice who both commit suicide after the revenge is achieved. The ghost of the slain watches the revenge on the person who killed him. The revenger goes through justifiable hesitation before committing to revenge as a solution.Script of Act I Julius Caesar The play by William Shakespeare.
Introduction This section contains the script of Act I of Julius Caesar the play by William alphabetnyc.com enduring works of William Shakespeare feature many famous and well loved characters.
Welcome to Dream Essays. Custom Term Paper and Essay Writing Services, Custom Research Papers for School. Textbook Solutions Master the problems in your textbooks. With expertly written step-by-step solutions for your textbooks leading the way, you’ll not only score the correct answers, but, most importantly, you’ll learn how to solve them on your own.
Julius Caesar Essay: Mark Antony as the Genius of Julius Caesar Words | 6 Pages.
Mark Antony as the Genius of Julius Caesar Mark Antony - the guy is a genius. He gives the most powerful and emotional speech ever conjured up by a human mind.
He gets this powerful emotion from the pain of the loss of his friend, Julius Caesar. Join Now Log in Home Literature Essays Julius Caesar Antony's and Brutus' Speeches in Julius Caesar Julius Caesar Antony's and Brutus' Speeches in Julius Caesar Kenneth Brown 10th Grade.
Antony’s speech at Caesar’s funeral in Shakespeare’s Julius Caesar was more effective than Brutus’ because Antony used a multifaceted emotional argument, instead of relying on one assertion, as Brutus had.
Rhetorical Figures in Sound. + short audio and video clips illustrating stylistic figures of speech ranging from alliteration to alphabetnyc.com are taken from speeches, movies, sermons, and sensational media events and delivered by politicians, actors, .